Saints, holy figures come back to life at first ‘Night in the Cemetery’

Aaron Lambert

The week before Halloween, the dead rose from the graves at Mt. Olivet Cemetery.

It was much less frightening than a scene from Night of the Living Dead, though. Among those who appeared were St. Therese of Lisieux, Freddie Joe Steinmark and Denver’s very own angel of charity Julia Greeley, all portrayed by actors and actresses. Youth from around the archdiocese were given the chance to walk through the cemetery in the dark of night for the very first “Night in the Cemetery” event.

“If you get [kids] the week before Halloween to come and walk around a cemetery at night, they’re all ears,” said Gary Schaaf, director of Mt. Olivet. “We’re not trying to scare them, but we do understand they’ll be in a different place than when they’re playing Xbox. They’ll be thinking, they’ll be listening, their senses are heightened.”

Actors and actresses from the Regis Ramblers, Regis University’s drama club, portrayed some of the religious figures students encountered during the tour, such as St. Therese of Lisieux pictured above. (Photos by Andrew Wright)

For three nights, middle school and high school youth groups were led on a two-hour tour through Mt. Olivet, learning about some of its rich history and encountering a few saints and other special visitors portrayed in part by members of the Regis University drama club. They were also treated to an outdoor Mass at Gallagher Chapel in the heart of the cemetery.

The first character the students encountered on their tour was Julia Greeley, who was buried at Mt. Olivet for nearly 100 years until recently, when her cause for canonization as Denver’s first saint was opened. As part of the canonization process, her bones were exhumed and now lie at the Cathedral Basilica of the Immaculate Conception.

The woman who portrayed Julia, Robin Weldon, is currently a resident at the Julia Greeley Home, a homeless shelter for women in Denver. Even before being asked to play Julia, Weldon had read about her life and felt a kindred connection to her.

The tour ended with Mass at Gallagher Chapel in the heart of the cemetery. (Photos by Andrew Wright)

“We had a lot of things in common, without even knowing anything about her,” Weldon said. “Some of the things she has done as far as giving food…I have done that, unaware of her story.”

“It wasn’t hard for me to decide to do it,” she added excitedly.

Schaaf hopes “Night in the Cemetery” becomes an annual occasion. Every kid dreams of walking around a cemetery at night, and this is a great chance to allow them to do that while revealing some of the deeper tenets of the Catholic faith.

“This place is so much in so many ways. It’s sacred ground,” he said. “So many people’s loved ones are out here. It’s where they come and go to a different and deeper place. If you can get kids to swim in a little bit deeper water for five minutes, that’s a good thing. That’s the purpose behind it all.”

COMING UP: Local artists choose life in pro-life art show

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For someone who’s always been in love with art, it’s not surprising that Brett Lempe first encountered God through beauty. Lempe, a 25-year-old Colorado native, used his talent for art and new-found love of God to create a specifically pro-life art show after a planned show was cancelled because of Lempe’s pro-life views.

Lempe was “dried out with earthly things,” he said. “I was desperately craving God.”

Three years ago, while living in St. Louis, Mo., Lempe google searched for a church to visit and ended up at the Cathedral Basilica of Saint Louis.

“I was captivated by the beauty of the 40 million mosaic tiles,” he said.

Lempe is not exaggerating. This Cathedral is home to 41.5 million tiles that make up different mosaics around the sanctuary. Witnessing the beauty of this church is what sparked his conversion, he said, and was his first major attraction towards Catholicism.

Lempe continued on to become Catholic, then quit his job several months after joining the Church to dedicate himself completely to art. Most of his work post-conversion is religious art.

Lempe planned to display a non-religious body of artwork at a venue for a month when his contact at the venue saw some of Lempe’s pro-life posts on Facebook. Although none of the artwork Lempe planned to display was explicitly pro-life or religious, the venue cancelled the show.

“I was a little bit shocked at first,” he said. “Something like me being against abortion or being pro-life would get a whole art show cancelled.”

Lempe decided to counter with his own art show, one that would be explicitly pro-life.

On Sept. 7, seven Catholic artists displayed work that gave life at the Knights of Columbus Hall in Denver.

“Catholicism lends itself to being life-giving,” Lempe said.

The show included a variety of work from traditional sacred art, icons, landscapes, to even dresses.

Students for Life co-hosted the event, and 10 percent of proceeds benefited the cause. Lauren Castillo, Development director and faith-based program director at Students for Life America gave the keynote presentation.

Castillo spoke about the need to be the one pro-life person in each circle of influence, with coworkers, neighbors, family, or friends. The reality of how many post-abortive women are already in our circles is big, she said.

“Your friend circle will get smaller,” Castillo said. “If one life is saved, it’s worth it.”

Pro-Life Across Mediums

Brett Lempe’s Luke 1:35

“This painting is the first half at an attempt of displaying the intensity and mystical elements of Luke 1:35,” Lempe said. “This work is influenced somewhat by Michelangelo’s ‘Creation of Adam’ painting as I try to capture the moment when the “New Adam” is conceived by Our Blessed Mother.”

Claire Woodbury’s icon of Christ Pantokrator

“I was having a difficult time making that icon,” she said. “I was thinking it would become a disaster.”

She felt Jesus saying to her, “This is your way of comforting me. Is that not important?”

“Icons are very important to me,” she said. “I guess they’re important to Him too.”

Katherine Muser’s “Goodnight Kisses”

“Kids naturally recognize the beauty of a baby and they just cherish it,” Muser said of her drawing of her and her sister as children.

Brie Shulze’s Annunciation

“There is so much to unpack in the Annunciation,” Schulze said. “I wanted to unpack that life-giving yes that our Blessed Mother made on behalf of all humanity.”

“Her yes to uncertainty, to sacrifice, to isolation, to public shame and to every other suffering that she would endure is what allowed us to inherit eternal life.”

“Her fiat was not made in full knowledge of all that would happen, but in love and total surrender to the will of God.”

All photos by Makena Clawson