The seven deadly sins of World Cup diving

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Tensions rise, flags wave high, people cry, and players … players dive. Okay, that’s not all that happens in a World Cup – there’s a lot of good stuff – but we also can’t ignore it. The practice of diving seems to have become part of the game. Fortunately, the VAR (Video Assistant Referee system) is helping refs be less gullible and make the appropriate calls. Even then, it’s worth looking at these soccer “sins” that end up corrupting the beautiful game.

Slothful moves

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We’ve all seen that dive in which the forward can well keep running after a tackle but dives as soon as he sees the ball is a bit too far and is not convinced he can get to it. This ancient tactic seeks to fool the ref as it tries to do the least work possible for greatest result possible, many times faking a penalty kick. We’ve also all experienced those times a player dives to kill time when his team is winning.

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Angry-bird dive

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Players tend to get a bit heated and end up doing stupid things. And it seems that when they do, the following move is to dive as if the other player had done it. But, don’t despair, there’s hope. Players usually have the capacity to refrain from punching. They’d rather headbutt the enemy before diving. This gives them a lesser chance of not getting expelled. At least they keep some sanity.

(Zidane’s headbutt is, of course, an exception.)

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Envying-another’s-Oscar kinda dive

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An envious player is the one who just can’t get past other players’ best dives. Okay, maybe it’s a bit of an exaggeration. But sometimes it seems that the game is about who is able to pull off the best diving move to trick the ref into calling a foul. This leads players to devise all sorts of creative (and overly exaggerated) dives and Oscar-worthy moves.

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Dive with pride, roll if denied

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A player will never admit he faked a foul. Even if the ref books him or if VAR confirms his acting, a player will not step back. For him, it will always be a clear foul and he would swear with his life that was the case, even if he knows it wasn’t. And trying to convince the ref that this is the case, the player will roll for as long as possible to see if the ref takes him seriously.

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Greedy-needy falls

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It’s not enough just to fool the referee with a dive. If the ref believes it, the player will want more by begging for a yellow or red card. It all comes in a package. The player will want to make the most out of his acting piece. At the end, it’s the nature of the soccer player to argue with the ref, no matter what happens.

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Gluttonous agony

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Don’t let the fit body fool you. Some professional players are more gluttonous than they seem! A glutton is never content with what he has and always wants more to fill his belly and life with excess of things. In the same way, some players are never content with deceiving the ref once. They have a performance of falls and dives for any minor reason: a simple touch on the arm, face, or (worst of all) the hair.

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Honorable mention (Footage of the ball definitely hitting Rivaldo in the face):

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And then there’s Suarez’s more literal example of gluttony:

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The lustful escape

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Let’s not take this one too literally. But we can say that just like lust can become an “easy escape” of momentary experience for a person struggling to confront the challenges of life, players tend to look for an “easy escape” to a challenging game by diving in the goal box,  – not to mention the pleasure they find in diving and fooling the ref and everyone else.

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COMING UP: Local artists choose life in pro-life art show

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For someone who’s always been in love with art, it’s not surprising that Brett Lempe first encountered God through beauty. Lempe, a 25-year-old Colorado native, used his talent for art and new-found love of God to create a specifically pro-life art show after a planned show was cancelled because of Lempe’s pro-life views.

Lempe was “dried out with earthly things,” he said. “I was desperately craving God.”

Three years ago, while living in St. Louis, Mo., Lempe google searched for a church to visit and ended up at the Cathedral Basilica of Saint Louis.

“I was captivated by the beauty of the 40 million mosaic tiles,” he said.

Lempe is not exaggerating. This Cathedral is home to 41.5 million tiles that make up different mosaics around the sanctuary. Witnessing the beauty of this church is what sparked his conversion, he said, and was his first major attraction towards Catholicism.

Lempe continued on to become Catholic, then quit his job several months after joining the Church to dedicate himself completely to art. Most of his work post-conversion is religious art.

Lempe planned to display a non-religious body of artwork at a venue for a month when his contact at the venue saw some of Lempe’s pro-life posts on Facebook. Although none of the artwork Lempe planned to display was explicitly pro-life or religious, the venue cancelled the show.

“I was a little bit shocked at first,” he said. “Something like me being against abortion or being pro-life would get a whole art show cancelled.”

Lempe decided to counter with his own art show, one that would be explicitly pro-life.

On Sept. 7, seven Catholic artists displayed work that gave life at the Knights of Columbus Hall in Denver.

“Catholicism lends itself to being life-giving,” Lempe said.

The show included a variety of work from traditional sacred art, icons, landscapes, to even dresses.

Students for Life co-hosted the event, and 10 percent of proceeds benefited the cause. Lauren Castillo, Development director and faith-based program director at Students for Life America gave the keynote presentation.

Castillo spoke about the need to be the one pro-life person in each circle of influence, with coworkers, neighbors, family, or friends. The reality of how many post-abortive women are already in our circles is big, she said.

“Your friend circle will get smaller,” Castillo said. “If one life is saved, it’s worth it.”

Pro-Life Across Mediums

Brett Lempe’s Luke 1:35

“This painting is the first half at an attempt of displaying the intensity and mystical elements of Luke 1:35,” Lempe said. “This work is influenced somewhat by Michelangelo’s ‘Creation of Adam’ painting as I try to capture the moment when the “New Adam” is conceived by Our Blessed Mother.”

Claire Woodbury’s icon of Christ Pantokrator

“I was having a difficult time making that icon,” she said. “I was thinking it would become a disaster.”

She felt Jesus saying to her, “This is your way of comforting me. Is that not important?”

“Icons are very important to me,” she said. “I guess they’re important to Him too.”

Katherine Muser’s “Goodnight Kisses”

“Kids naturally recognize the beauty of a baby and they just cherish it,” Muser said of her drawing of her and her sister as children.

Brie Shulze’s Annunciation

“There is so much to unpack in the Annunciation,” Schulze said. “I wanted to unpack that life-giving yes that our Blessed Mother made on behalf of all humanity.”

“Her yes to uncertainty, to sacrifice, to isolation, to public shame and to every other suffering that she would endure is what allowed us to inherit eternal life.”

“Her fiat was not made in full knowledge of all that would happen, but in love and total surrender to the will of God.”

All photos by Makena Clawson