Before all else, an evangelist: A Q&A with Bishop Robert Barron

Bishop Barron to speak at St. John Paul II Lecture Series Feb. 6

Aaron Lambert

One of the Catholic Church’s boldest leaders, Bishop Robert Barron is somewhat of a celebrity in the Catholic world. He’s best known as the host of Catholicism, the groundbreaking documentary about the Catholic faith that aired on PBS several years ago, and this past year, he released a follow-up to that series entitled Catholicism: The Pivotal Players. He’s far too humble to ever recognize it, but Bishop Barron may very well go down as one of the Church’s pivotal players in this era of its history.

Bishop Barron was ordained an auxiliary bishop of the Archdiocese of Los Angeles in 2015, thrusting him from his primary role as an academic into a full-time pastoral job. Even so, Bishop Barron continues to be the great evangelist he is — a title he readily accepts — through his Word On Fire ministry, his TV series, and even his new book To Light a Fire on the Earth, written with John L. Allen, Jr. Bishop Barron will be tackling the topic of relativism at the next installment of the St. John Paul II Lecture Series Feb. 6 at Immaculate Heart of Mary Parish in Northglenn. Ahead of his visit to Denver, we caught up with him about his new book, how to live as a Catholic in the culture and what it means to be an evangelist.

DC: Where did the concept for your new book written with John L. Allen, Jr., To Light a Fire on the Earth, come about?

Bishop Barron: It came from the publisher at Image, a guy named Gary Jansen. He called up and asked if I’d be interested in doing a book like this with John Allen. He proposed it to me, and I found attractive a lot of things, but one was that I don’t have as much time as I used to to sit down and write books — I’ve got this full-time pastoral job, so I thought that would be an easier way to produce a book if we did an interview. So then about a week later, he called back and said that he talked to John and John was very open to it, so I said OK, let’s do it. John came out for about 25 hours of interviews – he came to my house here in Santa Barbara – and we just really went after it, talked about everything. John put those together, edited them down a little bit, and we finally produced the book.

DC: In the book, you say that you would happily accept the title “evangelist” above all else. What is it to be an evangelist?

Bishop Barron: Someone that declares the dying and rising of Jesus and invites people to share a life in the Church — I think that’s what an evangelist does. To me, it’s an englobing term. I’ve spent a lot of my life as an academic, as a teacher, as a writer, and I try to bring all of that to my evangelical work because I think that’s the fundamental form of the Church’s proclamations. Everything else that we do — all the different writing and speaking and teaching – is under that rubric finally, is to bring people to Christ. I like that title; I’d be happy to be called an evangelist.

DC: What are the essentials for Catholics today to stay clear from all the noise and distractions and truly live their faith in a compelling way?

Bishop Barron: I think to learn the Biblical story. Our culture is forgetting the Biblical story, and when you do that, then you don’t understand what it means to say that Jesus Christ is Lord, because that makes sense only against the background of the Old testament story. If we forget that, then Jesus devolves very quickly into being a teacher of spiritual truth. You watch all the talk shows and stuff like that, that’s what he’s presented as, and that’s the fruit – the very bitter fruit, I would say – of having forgotten the Biblical story. I would urge Catholics to learn the Bible. Vatican II called for this deep renewal of Biblical theology, and I don’t think it’s happened really, and that’s, to my mind, the single most important thing.

DC: One of the biggest challenges the Church faces is capturing millennials. What gets their attention?

Bishop Barron: [With Word on Fire], we’ve tried to begin where millennials are; so first of all, to move into the virtual space, move into the world of social media just to be there, and then to start not so much with the doctrine, but to start with the things that intrigue people today. That’s where the books and movies and music and all that come in – that’s part of it. Another part of it is that millennials have a lot of serious intellectual questions about religion; for example, the issue of religion and science is a major stumbling block for millennials. So, I’ve done a lot with that. Thirdly, they’ve been very affected by the new atheists. Millennials, or now iGen-ers, the current generation, came of age with this very strong public critique of religion with people like Christopher Hitchens and Richard Dawkins and Sam Harris, and I find dealing with younger people, they use the language of the new atheists all the time. I’ve done a lot with trying to engage the question of God and why it makes sense to believe in God. Those are all approaches I’ve used.

DC: You’ve always had a way of viewing pop culture through a lens of faith, such as with your commentary on popular films. Do you think Catholics are too mistrustful of getting to know a culture that doesn’t share their same values?

Bishop Barron: The culture is always a mixed bag – it always has been. It’s both good and bad. But we can’t afford to be so squeamish that we just absent ourselves from the culture or cast dispersions upon it, because then we miss all kinds of opportunities. What you find in the culture are bits and pieces of Christianity all over the place. Years ago, I had a great teacher at Catholic University, Robert Sokolowski, and he talked a lot about the explosion of the once-integrated Catholic vision that happened around the Reformation and the Enlightenment. But what we see, then, are the twisted pieces of that once-integrated whole here and there in the culture. They’re not in perfect shape, they’re not perfectly integrated, but they’re pieces of the Catholic worldview, and I think that’s true in films and books and music and all sorts of things. I try to point that out when I can.

But it’s the culture; there’s no one answer. It’s always both/and. The culture is good, the culture is bad. The culture reflects the Church, the culture opposes the Church. The evangelist has to be adept enough to both criticize and integrate, and that can get both sides mad. If you start critiquing culture, then you’re a culture warrior, and if you embrace the culture, then you’re a relativist and an accommodationist. Well, the point is, you’re both a critic and a celebrator of the culture; you’ve got to be able to pivot and weave and make your way through the culture. I learned that from my great mentor Cardinal George of Chicago. He was a great one for the evangelization of the culture. He never liked when people said they were culture warriors; he said it was like a fish saying I’m against the ocean. The culture is, whether we like it or not, the air that we breathe; the ocean is full of all kinds of junk and pollution, and it’s what the fish lives on. The same is true of our culture; it’s full of all kinds of unsavory things, and it’s also the air that we breathe. You can’t just stand against it.

St. John Paul II Lecture series presents Bishop Robert Barron

Feb. 6, 2018, 7:30 p.m.
Immaculate Heart of Mary Parish
11385 Grant Dr., Northglenn
Space is limited; RSVP at archden.org/lecture.

COMING UP: Local artists choose life in pro-life art show

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For someone who’s always been in love with art, it’s not surprising that Brett Lempe first encountered God through beauty. Lempe, a 25-year-old Colorado native, used his talent for art and new-found love of God to create a specifically pro-life art show after a planned show was cancelled because of Lempe’s pro-life views.

Lempe was “dried out with earthly things,” he said. “I was desperately craving God.”

Three years ago, while living in St. Louis, Mo., Lempe google searched for a church to visit and ended up at the Cathedral Basilica of Saint Louis.

“I was captivated by the beauty of the 40 million mosaic tiles,” he said.

Lempe is not exaggerating. This Cathedral is home to 41.5 million tiles that make up different mosaics around the sanctuary. Witnessing the beauty of this church is what sparked his conversion, he said, and was his first major attraction towards Catholicism.

Lempe continued on to become Catholic, then quit his job several months after joining the Church to dedicate himself completely to art. Most of his work post-conversion is religious art.

Lempe planned to display a non-religious body of artwork at a venue for a month when his contact at the venue saw some of Lempe’s pro-life posts on Facebook. Although none of the artwork Lempe planned to display was explicitly pro-life or religious, the venue cancelled the show.

“I was a little bit shocked at first,” he said. “Something like me being against abortion or being pro-life would get a whole art show cancelled.”

Lempe decided to counter with his own art show, one that would be explicitly pro-life.

On Sept. 7, seven Catholic artists displayed work that gave life at the Knights of Columbus Hall in Denver.

“Catholicism lends itself to being life-giving,” Lempe said.

The show included a variety of work from traditional sacred art, icons, landscapes, to even dresses.

Students for Life co-hosted the event, and 10 percent of proceeds benefited the cause. Lauren Castillo, Development director and faith-based program director at Students for Life America gave the keynote presentation.

Castillo spoke about the need to be the one pro-life person in each circle of influence, with coworkers, neighbors, family, or friends. The reality of how many post-abortive women are already in our circles is big, she said.

“Your friend circle will get smaller,” Castillo said. “If one life is saved, it’s worth it.”

Pro-Life Across Mediums

Brett Lempe’s Luke 1:35

“This painting is the first half at an attempt of displaying the intensity and mystical elements of Luke 1:35,” Lempe said. “This work is influenced somewhat by Michelangelo’s ‘Creation of Adam’ painting as I try to capture the moment when the “New Adam” is conceived by Our Blessed Mother.”

Claire Woodbury’s icon of Christ Pantokrator

“I was having a difficult time making that icon,” she said. “I was thinking it would become a disaster.”

She felt Jesus saying to her, “This is your way of comforting me. Is that not important?”

“Icons are very important to me,” she said. “I guess they’re important to Him too.”

Katherine Muser’s “Goodnight Kisses”

“Kids naturally recognize the beauty of a baby and they just cherish it,” Muser said of her drawing of her and her sister as children.

Brie Shulze’s Annunciation

“There is so much to unpack in the Annunciation,” Schulze said. “I wanted to unpack that life-giving yes that our Blessed Mother made on behalf of all humanity.”

“Her yes to uncertainty, to sacrifice, to isolation, to public shame and to every other suffering that she would endure is what allowed us to inherit eternal life.”

“Her fiat was not made in full knowledge of all that would happen, but in love and total surrender to the will of God.”

All photos by Makena Clawson