A piece of Venice in Denver

How did the Venetian painters of the 15th and 16th centuries influence the history of art? By simply observing the exhibition “The Glory of Venice” at the Denver Art Museum, the viewer can get an answer to this question.

Entering the hall located on the first floor of the Hamilton Building feels like being in the floating city of northern Italy.

The curators of this exhibition filled the room very well with colors, paintings, a video and baroque background music, transporting viewers through time and space and allowing them to travel through art to the themes that inspired artists like Giovanni Bellini, Tiziano, Marco Bassati and Vittore Carpaccio, among others.

In those times, Venice stood in a moment of chaos and uncertainty over military actions to protect its economic interests. It was also at that time a center of commerce where travelers found all kinds of goods. It was in this context that the artists of these periods, called Quattrocento and Cinquecento, managed to develop a distinctive Renaissance style in which they used light and color on the canvas to make outstanding pieces, through the definition and construction of the volumes and the forms of their compositions.

The exhibition also shows the great affection of the Venetians to the Virgin Mary. It should be noted that Venice was founded on March 25, the day on which the church celebrates the solemnity of the Annunciation – Incarnation. The spectator can contemplate the different works in which Mary is shown with the Child Jesus.

Many paintings in this exhibition show how Venetian art is influenced by the reflection of the changing skies over the city’s canals, as well as the refined designs present in this architecture, rich in textures, small details and mosaics.


The genius of Bellini

Between the 15th and 16th centuries, Venetian art took a turn due to the monumental works that were marked by the artist Giovanni Bellini.

Bellini, a teacher who was also called “El Gambiellino,” was born in 1435 and died in 1516. He presented a novelty in his paintings. In his work he excels at spiritual sensitivity, especially in the face’s expressions and in that art of conjugating the sacred with the terrestrial, integrating in the same landscape the spirituality of the religious figures with the environment, in which the minimal details stand out.


Before Bellini, religious paintings were icons with infinite backgrounds. Bellini, without removing the sacredness of the characters, was able to paint landscapes where the earthly reality could be seen in tandem with the reality in which they lived.

It also shows the same God who becomes man in a concrete reality and thus recreates the scenery of his works with a very natural environment.

The Denver Art Museum succeeds in bringing a piece of Venice to Colorado, and the exhibition allows viewers to revel in the creativity and harmony that became these artist’s legacy in the history of universal art.

The exhibition will be open until Feb. 12. For further information, go to


COMING UP: Don’t miss ‘the most important archaeological discovery of the 20th century’

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Don’t miss ‘the most important archaeological discovery of the 20th century’

Denver’s Dead Sea Scrolls exhibition brings to life Judaism at time of Jesus

Vladimir Mauricio-Perez

“Welcome to Israel, the Biblical land of milk and honey at the crossroads of Africa, Europe and Asia… an archaeologist’s paradise”: These words mark the start of a once-in-a-lifetime immersion into ancient Israel that the Dead Sea Scrolls exhibition brings to the Denver Museum of Nature and Science March 16 to Sep. 3.

The exhibition, sponsored by the Archdiocese of Denver, not only displays the authentic Dead Sea Scrolls that have captivated millions of believers and non-believers around the world, but also a timeline back to Biblical times filled with ancient objects that date back to events written about in the Old Testament more than 3,000 years ago.

“We are convinced that the Dead Sea Scrolls discovered in the Judean desert are the most important archaeological discovery of the 20th century,” said Dr. Uzi Dahari, deputy director of the Israel Antiquities. “These scrolls, written in Hebrew, are the oldest copy of the Bible.”

In fact, some of these manuscripts are almost a thousand years older than the oldest copies of the Bible that had been discovered, providing a great wealth of knowledge about Judaism at the time of Jesus.

“So many things have changed [since this discovery],” said Dr. Michael Barber, professor of Scripture and Theology at the Augustine Institute in Denver. “We now understand first-century Judaism in a way we didn’t in the past and see how the Biblical authors are breathing the same air as other ancient Jews.”

An exhibition of the Dead Sea Scrolls at the Denver Museum of Nature and Science will be on display until Sept. 3. (Photos by Andrew Wright | Denver Catholic)

The air of first-century Israel was filled with expectations for the coming of the Messiah. The Dead Sea Scrolls, which have been associated with a unique religious Jewish community that lived a structured life, are a witness to this reality, he explained.

“[These communities] were trying to live in such a way as to prepare for the coming of the Messiah. They looked forward to a new covenant and the restoration of the glory of Adam” Dr. Barber said. “We see so many overlaps of how the New Testament is a fulfillment of the Jewish expectations of the time.”

The exhibition immerses guests into the history of the chosen people of God, from artifacts impressed with seals belonging to Biblical kings, such as Hezekiah, to an authentic stone block that fell from Jerusalem’s Western Wall in 70 AD.

“We preferred to select scientifically important items, some very small, some very large… but all of great significance,” Dr. Dahari said.

“Israel’s archaeological sites and artifacts have yielded extraordinary record of human achievement,” added Dr. Risa Levitt Kohn, curator of the exhibit and professor at San Diego State University. “The pots, coins, weapons, jewelry and other artifacts on display in this exhibition constituted a momentous contribution to our cultural legacy. They teach us about the past, but they also teach us about ourselves.”