Give gifts worthy of a King

Karna Swanson

Be honest, your heart sinks a little at the approach of Christmas. The First Sunday of Advent draws near, and what looms large before us are long to-do lists, multiple trips to crowded shopping centers, and the worry about how we are going to pay for it all.

American consumerism is out of control, and it’s taking a toll on Christmas.

There may be a part of us that wishes that the gift-giving part of Christmas would just go away, so we could envelop ourselves in a shroud of silence and focus all our energies on the true meaning of Christmas—the impenetrable and profound mystery of the Birth of Our Lord Jesus Christ.

While there is merit in wishing we could do away with all the hoopla surrounding Christmas, we must remember that there is a spiritual, and might I add, potentially evangelical side of gift giving that we shouldn’t overlook.

Therese Mueller, a mid-century author on Catholic culture in the home, had this sage advice on how to approach gift-giving: “As far as Christmas gifts are concerned, let us emphasize their true meaning, now so generally forgotten: overpowered by God’s generosity in giving his only-begotten Son as the Redeemer of mankind, Christians feel urged to imitate in a limited manner God’s great love and liberality by spreading happiness among relatives and friends through gifts.”

But, she added, “only if our gifts—small though they be—are borne along on a wave of true charity will they be worthy to lie beside the crib, which represents the real gift, the gift of all gifts, without which we should still be sitting in darkness and in the slavery of Sin.”

In a controversial footnote, she also suggests to parents that they stop telling “white lies” to their children about Santa Claus, and begin to tell them that it is “the Christ Child who presents our family with the abundance of grace and happiness and peace.” But, I digress.

There are lot of good ways Catholics can take back the practice of gift-giving, which is currently rooted in a frenzied consumerism, and turn it into a real effort to give of ourselves in a way that emulates Our Father in heaven.

First, before we can recapture a more spiritual motivation for gift giving, we have to let it sink into our bones that everything we have comes first from Our Heavenly Father. Being grateful for what we have received, and aware that all we have has been given to us freely by our God, whom we can never repay, puts our little acts of gift-giving into perspective.

Second, don’t forget the poor. If we only give to those who can return the favor, or even better, give us even bigger gifts than we gave, then we haven’t learned well the lessons Jesus tried to teach us during his short sojourn with us here on earth.

When making out your Christmas list, put the poor and needy at the top. Give them first billing, and you will have put a new focus on your gift-giving.

Third, give your time and energy. Make Christmas a time to reach out to those you haven’t had the opportunity to see in a long time. Create opportunities to get together with friends and family and just spend time with others.

Fourth, evangelize. There are so many opportunities to remind friends and family of God’s love during Christmas! For example, give Christmas greetings. “Have a Snoopy Christmas” is a fun sentiment, but are you missing an opportunity to evangelize by not reminding people of the true meaning of Christmas?

Fifth, give gifts. Gifts are genuine gestures of love, esteem and friendship. And be generous. Just make sure your gifts, and the motivations behind them, are “worthy to lie beside the crib” of the King of Kings.

COMING UP: Why icons still matter to a modern world

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Icons have existed from the time of the early Church and grew in popularity over the years as an aid in prayer and worship — but today, icons are often seen as irrelevant to our modern world because of their perceived rigidity and austerity.

But it hasn’t died out, and there’s a reason.

In Denver, instructor Laurence Pierson, a former nun in the Community of Beatitudes, teaches a course at the Botanic Gardens called “Sacred Doorways — Byzantine Iconography,” which is the only icon painting class in the greater Denver metro.

Pierson attributes the long-surviving tradition of icons to the same reason the Church still exists.

“Tradition has great value, and if it’s an art that’s survived so many centuries, that’s because there is a great value to it, and it’s not only the tradition, it’s that mainly, it’s rooted in the Gospel,” Pierson said.

In an article called “Sacred Icons,” painter Aidan Hart quotes John of Damascus, who said of icons, “What the written Word proclaims through letters, iconography proclaims and presents through colors.”

Laurence Pierson, left, is a former nun of the Community of the Beatitudes who has been teaching an iconography class at Denver Botanic Gardens called “Sacred Doorways.” It is the only icon painting class in the greater Denver metro area. (Photo provided)

It is the same story of the Gospel, presented in art rather than word, and as the Gospel is timeless, so is the art of icons. And while they may look austere, that’s not something to be afraid of, nor is it irrelevant in our modern time.

“Even though an icon might look austere, it actually drives us beyond superficial emotions — they want us to go deeper. It’s a deep joy,” Pierson said. “I think you have to be quiet and go deeper. In the spiritual life, our ascetic aspect doesn’t have to be forgotten, and sometimes there is an ascetic aspect, and our human condition needs to be redeemed.”

“It’s a medium that has to be rediscovered, and there is so much potential,” Pierson added.

Sacred doorways and symbols

The deep spirituality of icons is part of what has preserved them throughout the roughly 2000 years that they’ve been around. Hart explains that icons are “not just pictures to look at, but are a door to heaven, a way of meeting those who dwell there.”

Hence the name of Denver’s class, “Sacred Doorways.” The material use of the paintings are a way for us to pass through the material world and into a knowing of the holy people depicted. This is just the tip of the spiritual meaning of icons.

The specific look of the icons: the elongated nose, the wide eyes, the dimensions and perspectives, are all intensely symbolic.

“Icons do not depict outward appearances, but reflect something of invisible, spiritual realities. In fact, all good art does this,” Hart said.

“An artist isn’t just someone who puts colors [on a canvas],” Pierson said. “An artist reveals the reality of this world, which sometimes isn’t possible to see. And icon painting is revealing this invisible reality and making it visible with lines and colors.”

Icons do not depict outward appearances, but reflect something of invisible, spiritual realities. In fact, all good art does this.”

So what are icons revealing through their symbols?

Here are just a few insights from Hart:

– Inverse perspective: “There is a number of perspective systems used in icons. With inverse perspective, the lines converge on us, the viewers. This serves to include us in the action depicted,” Hart said. “A sacred event in the past is still acting on us today, ‘Today Christ is risen.’”

– Flatness: “It helps us pass through the icon to the person and events depicted. The aim…is not to replace the subject depicted, but to bring us into living relationship with them,” Hart said.

– Anatomy: “The eyes and ears of people are often enlarged, and the nose elongated. This is to show that the saint is someone who contemplates God, who listens to him, who smells the fragrance of Paradise,” Hart said.

The spiritual process

Pierson has been painting icons for 25 years and teaching for 18. Following the rich tradition of the painting style is the first step of entering into the “spiritual journey” of painting an icon, Pierson said.

“It’s very important for me to get rooted in Byzantine tradition, especially because it’s an art that comes from the Eastern world,” Pierson said. “You have to be very careful not to distort ancient tradition but also find a way to speak to our modern world, so it’s a very delicate balance. For me, that’s crucial, to find this balance.”

“[Painting] has to be a solitary experience because you have to pray, but for me, it’s important to be anchored in a community and liturgical life,” Pierson said.

Pierson, who is commissioned to paint icons for the community often, begins with research and prayer, both to whom the icon is depicting and for the person who will receive the painting. Then the painting begins, which is an intense, multi-layered process.

The art of painting icons is far more than just a creative process; it’s a deeper spiritual journey that requires a lot of prayer, Pierson says. (Photo provided)

First, a binder, which is what the pigment adheres to in order to stay on a board, is created. The binder consists of egg yolk mixed with an equal part of water. This is mixed with the paint pigment and a few drops of water, creating the egg tempera medium with which icons are traditionally painted.

Next, guiding lines are traced into a gesso-covered wooden board and then engraved with a tool. Then, paint is added, layer by layer, beginning with dark colors and finishing with lighter colors. “It is as though the iconographer begins with darkness and death, and ends with light and resurrection,” Hart said.

The final stage is writing the saint’s name; then the icon is blessed by a priest and venerated. The working time varies, but it is a very long process, taking up to a year.

Revealing a Presence

The act of painting is something Pierson discovered she needs for her life to flourish — “essential,” even.

With icon painting, it “combines art and the vertical connection to God,” Pierson said.

And the connection to God is experienced deeply throughout the painting journey.“There is a journey — there’s a time you feel discouraged or bored. Even though you don’t feel it, you live by faith, trusting what you do has meaning and will bear fruit,” Pierson said. “With iconography, there is a Presence.”

“This whole painting journey teaches you about yourself, it takes patience — it takes time. You cannot finish an icon painting in a few hours. You have to trust the process. You have to trust someone else is inspiring you, even though it might not perfect. It’s all very like our spiritual life. It teaches us all that in a very practical way,” she added.